July 25th, 2010 — Voltron: Defender of the Universe, Vol. 4 Tagged Download Voltron: Defender of the Universe, Stream Voltron: Defender of the Universe, Vol. 4, Vol. 4 Online, Vol. 4 Streaming, Voltron: Defender of the Universe, Watch Voltron: Defender of the Universe
Picking up where Collection Three left off, with the next 14 episodes in the series, Voltron: Defender of the Universe – Collection Four: Red Lion ends the Lion Force Team’s first season with the remaining 7 Season One episodes, and starts the second season with the first 7 Season Two episodes. The 4th of 8 Voltron DVDs planned for release by Media Blasters, Voltron – Collection Four is a 3-disc situation which comes in a “[Red] Lion’s head special molded tin featuring digitally remastered episodes 46-59, Paunchy Frame (1.33:1) video, English 5.1 audio, plus extras which include [at long last] issue actor interviews with veterans BJ Ward (Princess Allura/Witch Haggar), Neil Ross (Keith) and Michael Bell (Lance) . As with the previous collections, the amount of work effect into this next-to-last Lion Force Team collection will do accurate by the show’s fans. Here are the episodes contained in this collection, plus a list of extras:
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Episodes:
46. “The Remarkable Set Mouse”
47. “Summit Meeting”
48. “Return of Coran’s Son”
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49. “Coran’s Son Runs Amuck”
50. “Zarkon Becomes a Robeast”
51. “Lotor the King”
52. “Final Victory”
53. “Dinner and a Expose”
54. “Envoy from Galaxy Garrison”
55. “Mousemania”
56. “The Shell Game”
57. “The Traitor”
58. “Voltron Meets Jungle Woman”
59. “Puny Buddies”
Special Features:
* Modern 5.1 Surround Mix
* Episode synopses with current airdates
* Featurette on the American produced Lion Voltron episodes
* 1984 stills gallery
* Man on the Street: Voltron memories
* Voices Actor Interviews
Go Voltron!
This plot includes fourteen episodes of the Lion Force Voltron series. These are the final seven episodes adapted from the Beast King GoLion episodes, and the first seven episodes that were produced by World Events Productions for a second season of Lion Force Voltron.
On this region, there are five items in the “Special Features” menu. The first is labeled, “Sing Actor Interviews.” Neil Ross, BJ Ward, and Michael Bell were interviewed for this feature. They talked about how they auditioned, what characters they portrayed, the recording process, how they developed their characters, and remembering cast member Lennie Weinrib (who had passed away while the Lion Force Voltron DVD sets were being released) .
The next feature is labeled, “Season Three Featurette.” This portion includes interviews with Franklin Cofod, Marc Handler, Peter Keefe, and Bill England. This featurette explains why World Events Productions produced unusual Lion Force Voltron episodes instead of dubbing Albegas (a third robot series they had acquired the rights for) . They also talk about how they got several staff members from the new Beast King GoLion series to execute the original episodes, and define the process that was venerable to construct the original episodes. The featurette ends with talking about the two unique characters (Cossack and Merla) that were introduced in the unique Lion Force Voltron episodes.
The next feature is “Man on the Street: Voltron Memories.” These are “man on the street” interviews conducted by Jeremy Corray. He went around the streets of St. Louis and randomly asked people if they remembered Voltron. Unfortunately, most of the people interviewed seemed to only have really vague memories of the note, and were more likely than not to give absolutely execrable information.
The “Gallery 1984″ feature is a slideshow of production art, stills from the explain, pictures from the Voltron Snort event, and pictures of Ted Koplar and Peter Keefe sititng at a table with Voltron toys. Unfortunately, there’s no scheme for the viewer to control how snappily the pictures go through the slideshow. The final feature on the dwelling are trailers for other properties released by AnimeWorks.
For fans of Voltron, this space allows you to accumulate more episodes of the Lion Force Voltron series for your DVD collection. The first couple of special features on this state are attractive decent, but the others are a disappointment. Even with that flaw, this area is smooth worth owning, especially if you are a Voltron fan.
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July 10th, 2010 — Once in a Lifetime - The Extraordinary Story of the New York Cosmos Tagged Download Once in a Lifetime - The Extraordinary Story of the New York Cosmos Online, Once in a Lifetime - The Extraordinary Story of the New York Cosmos, Once in a Lifetime - The Extraordinary Story of the New York Cosmos Streaming, Stream Once in a Lifetime - The Extraordinary Story of the New York Cosmos, Watch Once in a Lifetime - The Extraordinary Story of the New York Cosmos Online
Okay, so maybe I was too young to remember the nineteen seventies and era of the Original York Cosmos soccer team. But, after seeing this movie I wish I had been around to see the soccer extrazaganza that really was the Novel York Cosmos. This movie brilliantly captures everything of that time from the steady inception of the North American Soccer League to Pele’s arrival with the Cosmos. Indeed the modern footage of Pele’s time in Unusual York passe in the movie, is truly astonishing! Better detached is the droll and triumphant saga of Cosmos owner Steve Ross’ determination to purchase Pele’s signature over other alive to parties that included Juventus and Loyal Madrid. This movie even goes one better with a improbable soundtrack which includes the likes of James Brown, The Supremes, Diana Ross, The Plight and The Jackson Sisters. I would thoroughly recommend any soccer or general sports fan to check this movie out if not objective to examine and hear soccer greats Franz Beckenbauer and Carlos Alberto fondly choose their unbelievable times they both experienced playing for the Modern York Cosmos.
In telling the tale of the Cosmos, the producers of this film went beyond the fawning “those were the days” stories and went into the true story: the infighting, the behind-the-scenes deals, and how the Cosmos brought the NASL into the spotlight, only to peep the NASL slice its contain throat through overexpansion and television deals that should never have been struck, bringing the Cosmos down with them.
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July 4th, 2010 — Jet Li's Fearless Tagged Download Jet Li's Fearless Online, Jet Li's Fearless, Jet Li's Fearless Streaming, Stream Jet Li's Fearless, Watch Jet Li's Fearless Online
[The following review refers to the 104 miniature version of `Fearless' released in Japan in March, 2006, starring Jet Li.]
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`Fearless” is inspired by the life of Huo Yuan Jia, real-life Chinese martial arts master. Jet Li plays this legendary figure, whose martial arts style and heroic fight helped the people in China derive their pride in the early 20th century when China was intimidated and humiliated by the growing Western and Japanese powers.
Well, so noteworthy for the history. Now, let’s talk about actions. In `Fearless’ Jet Li has shown his best performance since the days he did `Once Upon A Time In China’ playing the role of Wong Fei Hung, another legendary hero in China, and the fight scenes (choreographed by Yuen Woo Ping) are all wonderful, sometimes visceral, and sometimes magnificent, and always mighty. Valid and calm editing and blooming production designs also succor greatly to build the background.
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[JET LI'S PHILOSOPHY] After the opening martial arts competition sequences in Shanghai, 1910, the film begins to follow the life of Huo Yuan Jia from the days he was a boy in a flashback fraction. Jet Li and director Ronny Yu (yes, the guy who did `Bride of Chucky’ and `Freddy vs. Jason’) made a wise decision in showing Collin Chou as Father of young Huo Yuan Jia because the image of charismatic Chou (previously seen in two `Matrix’ sequels as body guard Seraph) as the stern father who forbids his son to fight well-represents Li’s philosophy about martial arts.
Yes, `Fearless’ is a splendid martial arts action film, but the film is more than that. The film, which was released under the title of `Spirit’ in Japan, has Li’s message about martial arts, which impresses without being obtrusive.
Besides glorious Collin Chou, the film has assembled bewitching names from in and outside of Asia: Nathan Jones as `Hercules’ one of Huo Yuan Jia’s opponents: Anthony De Longis as Spanish fighter: Brandon Rhea as German fighter: Masato Harada (seen in `The Last Samurai’) as Mr. Mita. Debuting actress Sun Li (Betty Li) is impressive as a blind girl, and so is Dong Yong who steals the demonstrate as Huo Yuan Jia’s archaic friend. But probably to the Western viewers the right come by is the Japanese rising star Shidou Nakamura as Anno Tanaka samurai fighter. Nakamura, who will be seen Clint Eastwood’s `Red Sun, Shadowy Sand,’ is already known as a talented actor in Japan, and he shows it with the smart fight scenes.
But the film is of course a Jet Li film, with the obliging actions that no one but he can do, and Li also succeeds in bringing life and dignity into the character of Huo Yuan Jia. As you know, it is said that `Fearless’ will be the last martial arts film for Jet Li. I don’t know if it is really legal, but I know this is his best film in years.
When I first saw this movie (the 104 runt version we have here) in the theatre I enjoyed it very distinguished, but I left with the nagging feeling that something wasn’t proper about it. A minor quibble was that a expedient share of the film’s main climactic scene took dwelling fair at the beginning, but more bothersome to me was the fact that the film didn’t seem certain of itself– like it couldn’t determine if it wanted to be a run-of-the mill martial arts relate, or a telling of a historical chronicle with an underlying philosophical message. Structurally it came across primarily as the mature, but watching this in the theatre I had the nagging feeling that something great deeper was inside longing to emerge. For one thing, the 104 runt version contains very choppy editing. Expansive spans of history pass along in a flash. For example, during the scene where Huo is living in the village, years are supposed to have passed for him there, however one gets the feeling watching this that it has only been a few weeks. Furthermore, one simply doesn’t take, in this version of the movie, that he has really learned the lessons he is supposed to have learned– or even that the film itself has noteworthy awareness of what those lessons were. The tale seems very rushed, as though the filmmakers simply couldn’t be bothered to bid their believe memoir and were alive to for the next fight scene to approach along. I remember leaving the theatre thinking that it was a first-rate movie, but also that a better, more fulfilling yarn, was waiting to be told about this keen character. Miniature did I know!
Fast forward a few months to the release of this DVD. I bought it, as I said I enjoyed the movie, but when I watched it I noticed something different about the subtitles– they seemed to lack the same penetrating subtlety of perception that were found within the best scenes of the theatrical version. The two most glaring examples were during the “Tea” scene, where a very profound exchange between Huo and Tanaka gets reduced to a bunch of gibberish, and at the destroy, when Tanaka’s manager asks him how he could say that Huo won and (in the theatrical version) he says “I know it in my heart” whereas in this version he simply mutters a threat. Again, it’s composed a grand movie on some level, but watching this version one can’t attend the feeling that there is something great better within it waiting to reach out.
AND THERE MOST CERTAINLY IS.
Surfing around online one night I discovered that there exists a “Director’s Sever” of this movie that was released early this year (only in China though) that contained a whopping /40 minutes/ of extra footage. 40 minutes? How do you add 40 minutes to a 100 diminutive movie without basically making a whole unique movie? This I had to gather out. Fortunately I had previously hacked my DVD player to play all regions so I didn’t hesitate to order the movie (which is presently only available in a station 3 compatible format) . When I eventually watched the film, I came to a number of realizations.
1) This was the movie that was originally intended. It is not one of those “Director’s Cuts” where loads of extra unnecessary crap is tacked on. This was the movie that was made to be seen, and it was butchered for its North American release.
2) The movie is an absolute masterpiece and currently resides in my top 5 movies of all time. I do not say this lightly. All my uneasiness about the 104 exiguous version evaporated entirely with this one. For one thing the structure of the memoir is greatly improved– the climactic fight scene takes position at the extinguish (where it was always supposed to and where it feels mighty more natural) . For another, the movie actually feels like a memoir now– told completely and deliberately. The bulk of the footage that was reinserted was from the movie’s middle (and most essential) act, where Huo is on his self-imposed exile. This version actually takes the time to flesh out Huo’s relationship with Moon, and to expose us exactly how the cosmic forces conspired to prove him the error in his previous mode of life. One really gets the feeling watching this version, that Li’s character is evolving, and the transition is very believable– we are lawful there beside him, taking notes. Compare this to the shorter version where everything seemed disjointed and rushed. Furthermore, the Director’s Cleave contains more footage of Huo as a precocious child, which does worthy to give us a elephantine record of his life and spiritual evolution. An added bonus is that the Director’s Carve contains the recent, vastly grand subtitles, which actually seem to have been translated by someone who understood the legend, and the subtlety of the philosophy it was trying to impart.
3) Lastly, whoever edited this movie for American theatres wanted to do away with the philosophical soul of this fantastic film, and leave us with a stereotypical “Kung Fu” flick. The result was that one of the greatest movies ever made was almost totally lost. If you fair want to behold Jet Li dominate, view Fist of Account. If you want to gaze the spirit and essence of the martial arts captured on camouflage, a wonderfully told epic of a very entertaining character, and a graceful portrait of how the forces of Nature are constantly conspiring to push us ahead in our spiritual advancement– observe the Director’s Nick of this film. Anything less is a extinguish of time.
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June 16th, 2010 — Uncategorized
