I recently got this DVD and was dismayed to pick up that the English subtitles were missing (as the last reviewer pointed out.) I unbiased found a fix that may work for some people. The “Subtitles” hide lists only French and Spanish as choices. But the remote for my Toshiba 3109 player has a “Subtitles” button that can be archaic while the movie is playing. With “Mystery Roar” this button brings up four choices: “1 Fre”, “2 Spa”, “3 Fre” and “4 Spa”. The first two will bring up French or Spanish subtitles as expected. But choosing either “3 Fre” or “4 Spa” will cause English subtitles to appear for the Japanese portions of the film! So the disc is indeed bungled, but this workaround made it watchable for me. And yes, it’s a spacious movie!
How my ratings work:
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5 – I really liked/loved it
4 – I liked it
3 – Could’ve been better/worth a look
2 – Unbiased didn’t live up to the potential
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1 – Simply aweful
This is the second Jim Jarmusch film I’ve seen and is probably my current of his movies. The stories are so orginal and flat out hilarious, all three taking status in Memphis, Tennesee and bright Elvis Presley in some diagram. The best record is the first, Far From Yokohama, sharp the young Japanese couple (Masatoshi Nagasai & Yuki Kudoh) visiting Memphis for the first time. Though the other two stories, A Ghost and Lost In Station are also humorous. Music epic Screamin’ Jay Hawkins is terrific as the night manager of a hurry down hotel. Highly recomended for any movie fan or Jarmusch fan who hasn’t seen this movie.
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In 1996, the Sunrise Studios anime television series “The Vision of Escaflowne” aired on television and although not a grand hit in Japan, when the series was released on DVD in America, it became a tremendous hit. Not unprejudiced in the US but worldwide.
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Despite being released on Saturday morning television on Fox Kids (albeit heavily edited), the series would receive appreciation and a lot of fancy by fans for the Escaflowne’s characters, it’s fine artwork and character designs, its yarn but most of all, it’s curious music.
With the fanfare strong worldwide, in 2000, Sunrise and Studio BONES began on a reimagining the television series through a 95-minute film titled “Escaflowne: The Movie”. The film version is very different from the television series as the film is considerable more darker and the protagonist, the blissful and chirpy Hitomi is anything but that. In fact, she’s a person who is heart-broken and contemplates suicide. While the character of Van, is more reserved and willing to nick and end anyone in his arrangement.
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Needless to say, the film is quite different as it focuses on these two main characters but most importantly, the film is for those who are and aren’t familiar with the television series and can luxuriate in it in the theaters. The film received mixed reviews with diehard fans who had a hard time seeing a different version of their characters and of course, brilliant that there is only so considerable tale from the 26-episode anime series that is going to glean covered in a 95 runt film.
The film begins with Hitomi, dismal and unhappy, you learn that she is a person who wants to destroy herself and is prepared to say goodbye to her best friend via a letter. Fortunately, her friend discovers her and the letter and tries to convince her that suicide is not a satisfactory arrangement to go. But no matter how remarkable she tries to cheer up Hitomi, Hitomi is resigned with herself and with life.
The film then switches to the character of Van. We discover Van, who is violently slashing through many soldiers in order to collect the behemoth known as Escaflowne and the Winged Goddess which he wants to spend towards defeating his brother Lord Folken and his army.
Meanwhile, while Hitomi is alone and wanting to destroy her life, she sees an image of Lord Folken who calls her the Winged Goddess and wants her to join him. Confused and not determined what is going on, blackness starts to envelop the location and Hitomi is immediately sucked up into darkness and not colorful what is happening, by the time Hitomi awakes, she emerges out of Escaflowne and encounters Prince Van.
Van believes her to be the Winged Goddess but immediately Escaflowne disappears and then believes that she may be a seek and a deceptive. Because of her more new school girl clothing, many of Van’s friends contain she is the accurate Winged Goddess despite Van not believing in her and almost wanting to destroy her.
On the other side of the battle, we learn that Lord Folken and the Murky Dragons are preparing their attack Van’s crew and lift Hitomi for his goal to utilize the power of the Winged Goddess to raze the world.
Because of the increased attacks and attempts to hold Hitomi, Van is ordered to protect Hitomi at all costs.
VIDEO & AUDIO:
“Escaflowne: The Movie” is presented in 1080p High Definition. It’s principal to notice that the film was created in unhurried 1999 and then released in theaters in 2000. Also, the film was produced by Sunrise but inspiring by Studio BONES and for the most piece, a few talented animators took fragment in the action sequences as well as fresh character designs for the film. With that being said, when I first reviewed this film when it was first released on DVD, I commented on how lovely the film looked. It’s very detailed backgrounds but also the film’s awesome animation.
Here we are in 2009 and the film now making its HD debut and I serene stand by that. The film looks grand and although it may not stare as digital and smart like today’s new anime, the film calm looks fantastic for an anime film nearly a decade former. But what is the critical incompatibility between the record quality from the DVD versus the Blu-ray? There are several segments in the film that I tested out and that was the outdoor sequence (50-54 minutes into the film) and on Blu-ray, the first thing you will glance is how vibrant the outdoor scenes discover. The green and blues objective pop out, especially during sunset with the red of the sun also popping out. Needless to say, the film looks quite vibrant during the outdoor scenes.
The print is not 100% positive of dust which I mediate I may have seen a few specs but overall, I didn’t glimpse a whole lot, nor did I peep any major compression problems throughout the film. Blacks are nice and shadowy and there is grain note. Again, I’m a person who supports film grain and not supportive of excessive DNR (Digital Noise Reduction), so overall…I was radiant jubilant with the represent quality for a film nearly 10 years used.
As for the audio, this is where “Escaflowne: The Movie” shines. One thing that I noticed rapid is how immersive the soundtrack was in utilizing the soundscape of each channel. The film’s dialogue is front and center channel driven but sound effects from the whisping as Van flies in the air, the clanging of the swords during battle, the blasts that are being shot and the destruction in the city is well-captured on your surround channels, especially via LFE. I definitely devour when anime uses the subwoofer quite a bit, so it was substantial to hear that LFE usage. And of course, one thing that the film is famed for is the music and the music comes out nice and obvious through your system.
I did inspect one thing with the audio though. The Japanese lossless Dolby TrueHD 5.1 sounds awesome but the English DolbyTrue HD 5.1 soundtrack seems a tad lower with the English dialogue. In fact, through the beginning of the film while watching it with the English lossless soundtrack, I felt that I had to increase the volume a tiny in order to hear the dialogue clearly and when I switched to the Japanese soundtrack, the dialogue was consistent and distinguished louder. By no means are the two lossless soundtracks like night and day (like FUNimation Entertainment’s Blu-ray release of “Origin”) but overall, sound effects seem to be consistent on both soundtracks. But overall, “Escaflowne: The Movie” does have a astounding and immersive soundtrack.
Subtitles are in English only.
SPECIAL FEATURES:
“Escaflowne: The Movie” comes with the following special features (in 480i Standard Definition) :
* Trailers: The Girl Who Leaped Through Time and Ghost in the Shell: Stand Alone Complex Solid Spot Society
* Staff Interviews: (23:00) Featuring staff interviews which include: Director Kazuki Akane/Composer Yoko Anno, Kazuki Akane and Kelly Sheridan (Speak actress for Hitomi), Masahiko Minami (Producer/BONES), Maaya Sakamoto (Snort Actress/Singer), Masuo Ueda (Producer/Sunrise) and a performance by Yoko Kanno, Maaya Sakamoto, Kim Su Jin fabricate “The Ring”(Escaflowne Ending Song, Special Duet Version) .
* Modern 2000 Premiere: (7:20) Featuring the following segments: The line at Anime Expo 2000 in Anaheim, CA for the screening of “Escaflowne: The Movie”, Minoru Takanashi (Producer/Bandai Visual) speaking to the audience before the movie and the Post-Movie Panel Highlights at Anime Expo 2000.
JUDGMENT CALL:
When it comes to “Escaflowne: The Movie”, the film has received different results from fans when it first came out. Diehard fans who were not old to the change, of course, complained. And for those who treated the movie separately from the anime TV series found the film to be delightful, creative and musically unbelievable. Needless to say, I’m fraction of the latter. The fact is that many anime series that score a theatrical treatment usually has a anecdote that is not piece of the TV series timeline. And there have been quite a few anime films that have been released that either try to catch parts from a long series and condense it down to two hours or try to reach up with something different.
With “Escaflowne: The Movie”, you net something different and it’s a reimagining that I was inaugurate to and at the time, I was very impressed with the results. The animation was stellar and the music, Yoko Kanno’s music and the ending theme by Maaya Sakamoto was objective astounding.
So, needless to say… I was enraged to hear that “Escaflowne: The Movie: was receiving its HD treatment and for the most fraction, I was more tantalizing to examine how a film that was created in the behind 90’s would sight on Blu-ray. Already, Bandai Entertainment has proved to us that they can obtain it happen as evident with the release of “Akira” earlier this year. So, I had no doubt in my mind that Bandai Entertainment was going to release a solid product. What I was more concerned about was the lossless soundtrack. And fortunately, the soundtrack for the most piece was immersive and immense to hear via lossless.
If you are a fan who owns the Ultimate Edition of the DVD, you may be wondering if it’s worth the double dip? Well, for one, you don’t want to derive rid of that “Ultimate Edition” because you catch the awesome CD soundtrack and also there are special features such as the galleries that are not included on the Blu-ray. But to respond the put a question to, yes…it’s worth the double dip. This is the best looking and sounding version of the film yet. So, if you loved the film, you will definitely want to assume up this Blu-ray.
Overall, “Escaflowne: The Movie” is a solid Blu-ray release and for those who want to add to their anime on Blu-ray collection, this title is definitely recommended!
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There are a half dozen films that can change your life after one viewing. I felt this was such a masterpiece. A Japanese father who has learned to control his emotions discovers that his estranged son is dying of cancer. When he goes to the hospital room, the son won’t let him pause. Yet the wife of the son is trying to reconcile father and son and lets it be known that the son adores classical Chinese opera.
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Seeking a crack in which to connect emotionally with his son, the father then goes to China – where he does not convey the language – and seeks out a Chinese opera star so that he can film a production of “Riding Alone for Thousands of Miles.” Unfortunately, the opera star is now in jail, but that does not terminate the father from trying to film the production in Chinese prison. The father’s desperate struggle to do one last thing to connect with his son – a factual act of appreciate – transforms all who start to approach into contact with him…and in traditional age, the father learns the value of openness in emotions that had been so bottled up before.
Altogether, a astounding film experience. Truly, I was shaken emotionally.
Zhang Yimou’s Riding Alone for Thousands of Miles is a quick-witted portrayal of the appreciate that a father has for his child. Zhang uses the character of Takata to fuel this portrayal. Takata has such a profound inability to communicate with his son that he uses his daughter-in-law as a de-facto “interpreter” between himself and his child. During these “interpretations”, Takata discovers that his son had promised to film a Chinese opera singer playing his most noted role. As an attempt at reconciliation, Takata goes to China to carry out this task for his son, who is dying of cancer. In going to China, Takata seems to face an insurmountable obstacle: a foreign country where a different language is spoken. However, in a clever twist, this obstacle actually turns out to be an advantage for Takata, because he is ragged to dealing in an environment where he is unable to order with others. Takata uses the skills he’s developed to compensate for his communication deficiencies in order to accumulate the person his son wished to film. When that person displays some relationship challenges with his believe son, Takata takes it on himself to assign a connection between the opera singer and his child. In doing so, Takata finally establishes a bridge between himself and his gain son.
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While the myth itself is captivating, it wouldn’t work without wonderful acting from all the cast (particularly Ken Takakura as Takata), heavenly cinematography, and a lyrical script. All of these elements are reveal in Zhang’s other films, like Hero and Curse of the Golden Flower. It’s a determined measure of Zhang’s talent that he is able to abandon the historic account gain of those other movies and instead employ these elements to acquire an intimate, emotional portrait.
Some viewers may be reluctant to notion Riding Alone for Thousands of Miles because all of the dialogue is in Chinese. However, the movie (like its protagonist) transcends language to movingly stammer its core emotions. It’s rare to fetch a provocative portrayal of such basic emotions in any language, grand less a portrayal that is also enthralling. For that reason alone, Riding Alone for Thousands of Miles is a film that deserves a spacious audience.
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