July 25th, 2010 — Hercules Tagged Download Hercules Online, Hercules, Hercules Streaming, Stream Hercules, Watch Hercules Online
Ah, yes! Those were the days! Disregard the dubbed-in dialogue and hokey site lines. The orginal 1957 “Hercules” is a cherish of fantasy and fun. To those Americans who acquire a sense of the past (what primitive to be known fondly as “nostalgia” prior to the MTV generation and its contemptuous stance toward anything that occurred prior to the maturation of Jennifer Lopez’s broad, burly posterior), Johnny Weismuller was Tarzen. Bela Lugosi was Dracula. Clayton Moore was the Lone Ranger. And Steve Reeves was Hercules. Long before Arnold there was Steve Reeves, the prototype body builder who in the 1940s and 50s surpassed what Charles Atlas initiated a generation earlier. A scrawny, unathletic kid who was teased unmercifully, Reeves decided to do something about his jam. He made body building and fitness a device of life. Between 1945 and 1950, Reeves won every body building competition and award in the universe, and he did so without the expend of steroids or any other drugs. It didn’t pick long for Hollywood to near calling. After being considered and then turned down for the role of Samson (for being “too muscular”) in the 1949 MGM production of “Samson and Delilah” opposite Heddy Lamarr, Reeves spent a few years playing mostly forgetable parts in a number of films before achieving celluloid stardom in his adopted home, Italy. In 1957 Reeves portrayed the legendary Greek hero Hercules in the film of the same name, and repeated the role in its sequel, “Hercules Unchained,” two years later. Reeves was extraordinarily comely with murky wavy hair and piercing blue eyes. With his beard and spectacular physique, Reeves looked exactly like the image of the Greek demigod as it had been depicted for thousands of years. So ingrained became his image in the minds of movie fans, that the names “Steve Reeves” and “Hercules” became synonomous. For a time in the behind 1950s and early 1960s he was the highest-paid movie star in the world. To kids growing up in an innocent age of malt shops, high school dances, science-fiction comics, and “Father Knows Best,” Reeves was the epitome of wholesome manliness. He became the idol and inspiration for a whole unusual generation of weightlifters and body builders, including Lou Ferrigno, Franco Columbo, Reg Park, and veteran Arnold himself. He enchanted young and extinct alike as Hercules and as a number of other legendary Greco-Roman characters. In the slow 1960s while serene fit as a fiddle, very well-liked, and only in his early 40s, Reeves was asked by Sergio Leonne to star in a series of Spaghetti Westerns. But Reeves decided to leave the acting business. His region was taken by Clint Eastwood, and the rest is history (there’s that anachronistic word again) . Reeves continued living in Italy where he could be spotted daily “power-walking” (hastily walking while carrying light weights in his arms) around all the famed sites in Rome. By the 1990s he and his wife returned to America where they raised horses and lived quietly on a elegant ranch in Southern California. Reeves tranquil looked astronomical into his seventies and remained a steadfast advocate of drug-free athletics. Which is why it was so horrid to hear of his sudden death from cancer in 2000. Supposedly, Reeves visited his physician and was diagnosed with an accutely malignant construct of cancer. In two weeks, he was tiresome. Upon hearing the news, I couldn’t regain the fact of his passing. “Steve Reeves lifeless? Can’t be.” He always seemed so invincible. How time marches on. But the image of Reeves as the prototype celluloid demigod will endure. In the hearts and memories of many a young boy in the 1950s and 60s, there was no more current person in the world than Steve Reeves. In many ways, Reeves may well have been the last astronomical role model of an America that traditional to be. Malt shops are gone. Early sci-fi classic films with thoughtful plots like Howard Hawks’ “The Thing From Another World” and Robert Wise’s “The Day the Earth Stood Tranquil” are now considered venerable by a generation whose attention span is measureable in nanoseconds. High school dances long ago devolved into loud, indecent, uncivil environments known as “clubs.” There are no TV shows even remotely resembling the quaint idealism of “Father Knows Best.” Yet sure images from yesteryear remain transfixed eternally in the minds of those unexcited thoughtful enough to remember. Steve Reeves will always be the one and only “Hercules.” So long, pal.
Finally, Steve Reeves on DVD! The version sent to me was by Gemstone Entertainment; but appears to be the same version as United American Video. A few years wait on I was on Steve’s web station and commented that I was disappointed that there were none of his films on DVD, and the acknowledge that I got aid was, “Only on VHS now; but objective wait a bit longer….” I remember the first time I saw this movie as a kid, I was totally crooked on Steve Reeves and his name was forever connected with Hercules, which is kind of comic considering that he only made two Hercules movies. Though watching Italian movies can consume a exiguous getting ragged to, mainly due to the editing practices, in addition to dubbing the sound in after the movie had been completed, this movie holds the test of time very well, considering that it’s almost 45 years conventional. My only staunch complaints are that it’s not presented in a natural widescreen format and that the copy of the print was not in pristene condition; but don’t let the TV format, soft focus and colors in some spots, and a few scratches and specks during the movie deter you from getting this classic. Some day I’m hoping to seek a higher grade edition, in widescreen, with the film digitally restored and maybe a few extras; but until then, this will more than suffice.
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July 11th, 2010 — The Ultimate Matrix Collection Tagged Download The Ultimate Matrix Collection Online, Stream The Ultimate Matrix Collection, The Ultimate Matrix Collection, The Ultimate Matrix Collection Streaming, Watch The Ultimate Matrix Collection Online
Been waiting for this BD version for a while. I have the HD-DVD trilogy which was awesome. Before that had the 10 disc DVD version of the Ultimate Matrix Collection which was awesome.
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The Blu-ray version is the best of them (except that it doesn’t reach with a Neo bust like the DVD edition did) .
At the time of take and of writing this review the product info was gross on the Blu-ray version. It claims it is a 10 disc position, when it actually is a 6 disc state, 4 Blu-ray’s and 2 DVD’s. I notified Amazon.com of this, but who knows when they will gather around to fixing it.
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Also it was said that this is a kill of money in another review because newer DVD players upscale. However this person must have never seen an upscaled movie compared against a Blu-ray or HD-DVD version of the same. There is a Astronomical Colossal dissimilarity, I study a lot of movies “upscaled” but all that does is allow you to stare a DVD movie on a HD TV, it improves the quality a runt but not enough to say it is as righteous as Blu-ray or HD-DVD.
It is worth the extra bucks to remove one of greatest movies in the last 20 years in attractive Blu-ray.
Just received my copy today. Tremendous movies however one feature was supposed to be digital copies of the movies for portable playback. Turns out they only set in the first movie and nothing else. Not a deal breaker, but hardly an ultimate collection without digital copies of the last 2 and Animatrix feature.
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July 2nd, 2010 — Dear Frankie Tagged Dear Frankie, Dear Frankie Streaming, Download Dear Frankie Online, Stream Dear Frankie, Watch Dear Frankie Online
Because DEAR FRANKIE is a itsy-bitsy release, many of us have to drive a while to regain a theater that is showing it. The 25 mile drive I took was completely worth it.
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Emily Mortimer plays Lizzie, who has been writing letters under the guise of her estranged husband to her deaf son, Frankie, for years. In writing the letters many things are accomplished. Frankie gets to feel like he has some contact with his dad and Lizzie gets to hear the innermost thoughts and wishes of her son through the letters she reads and answers.
When Lizzie, Frankie, and grandma Nell approach in a original town, they attend Marie. They also learn that the Accra–the ship on which Frankie thinks his dad lives–is docking approach their town. With Marie’s relieve, Lizzie encounters “The Stranger” and pays him to pretend to be Frankie’s dad for one day.
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Now I have seen a couple of critics gain fault in casting Gerard Butler as The Stranger, thinking him too wintry and gruff for the role. If these critics had watched the movie closer, they would’ve seen that the role called for gruffness at the beginning. However, Frankie has the same affect on The Stranger as he has on everyone else–making people want to be better and thawing out their cool dispositions.
By the destroy of the movie everyone has learned something. Frankie has learned some truths through his mother and discovered others on his gain. Lizzie learns to launch up to others a miniature more. We learn who The Stranger actually is and, though we don’t know anything about his past, we know that he has probably been emotionally shut down for a long time.
Like many, I went to witness it because I wanted to gawk Gerard Butler, but I can honestly say that once the movie started (and he doesn’t appear until about 45 minutes into the film) I was so engrossed in the account that the modern reason didn’t even exist anymore.
I have never seen Emily Mortimer in a film before (except her minute share in Notting Hill,) but I was very impressed with the heart and realism that she brought to her role, as well as the actress who played her mother. Young Jack McElhone was especially impressive. You could recognize why his mother wanted to protect him so mighty and you could understand why The Stranger wanted to extend the time he spent with him.
Critic Roger Ebert mentioned a scene in a doorway with Lizzie and The Stranger. He talked about the device a much scene does not need a lot of dialogue. I watched especially for that scene and completely agreed with his comments on its profundity. This was a comely film and I’m so contented that I saw it. It was sweet, simple, loyal, and considerable in many ways. It was the kind of film that will conclude with you for several days. That is what superb film-making is all about and it is refreshing to explore one as high quality as DEAR FRANKIE. Enjoy-
Lizzie (Emily Mortimer), the single mother of a 9 year ragged deaf tranquil boy, Frankie (Jack McElhone), moves her family to a miniature family in Glasgow. Her mother, Nell (Mary Riggans) announces that if they fade again, it will be the last time for her. As Frankie acclimates to his fresh school, his mom continues about her routine. She travels by bus to a post office box and retrieves the letters that Frankie writes to his dad, a sailor that has been traveling around the world for years. She writes the letters support to her son, pretending to be the long missing father, purchasing stamps from around the world, concocting fictional travels and making up the name of his father’s boat. One day, Frankie learns that his father’s boat is due to dock at the Port of Glasgow. Immediately, he has doubts that his father will even want to scrutinize him. Lizzie decides to try to hire someone to play his father. Her friend, and boss, Marie (Sharon Microscopic) helps her score “Davey” (Gerard Butler, he also played the Phantom in “The Phantom of the Opera”) . Davey is hired to expend one day with Frankie, `before he has to ship out again’. Growing attached to the boy, he offers to utilize another day with mother and son.
“Dear Frankie”, a novel Scottish film directed by Shona Auerbach, is a really mountainous puny gem that you should definitely recognize out. Playing at a handful of independent theaters, it will slowly roll out to the rest of the country. If you are unable to score it at a theater, secure the DVD when that is released.
The beauty of “Frankie” is that every character seems accurate, like someone you might meet on the streets of Glasgow. Emily Mortimer plays Lizzie as a young, single mom who has had a hard life. Her one joy is her son, who is very shining, but a deaf tranquil. Because of the circumstances or her life, which we slowly learn as we peruse the film, Lizzie has become withdrawn and feels she can only rely on her mom and son. When she meets Marie, she is reluctant to inaugurate a friendship. But Marie realizes that Lizzie needs the friendship and offers her a fragment time job at the local chip shop and helps her in other ways. Her mother is a woman that has had her equal section of hard times, but she is trying to gather her daughter out of the funk she is living in while protecting them at the same time. Microscopic Frankie is also played in a very natural blueprint by Jack McElhone. In films, children tend to be too precocious or too `adult’. Frankie is neither. As we learn more about him, we glance that he is shiny, disquieted, eager in a girl in his class and easy to bait into bets by another young boy in his class. His very existence and the letter writing have ensured that he will have an active imagination. But his mother has also helped him beget a strong interest in sea life and all other aquatic areas. Naturally, a slight boy who has never met his father but receives regular letters from him will do whatever he can to learn more about his father’s world. The walls of Frankie’s room are lined with hand drawn pictures of sea life, a method of the world with pins marking the locations of each of his father’s letters and more.
The fraction of `Davey’ is a difficult one to pull off. Butler brings an air of desperation to the character in the beginning. I mean, why else would a grown man agree to picture a kid’s dad for a day, for probably 20 pounds, except that he is desperate for cash. As he spends time with Frankie, he realizes what a immense kid he is. Thankfully, the emotions aren’t `big’ like they might be in a Hollywood film. He comes to this realization slowly. At the slay of the day, when he asks Frankie and his mom to exercise the next day with him, it makes sense. We acquire that `Davey’ has actually grown fond of Frankie.
The key to this film is that everything is believable and natural. Nothing is played for theatrics or over the top emotion.
As the film winds to it’s natural climax, we initiate to feel the emotion that the characters are feeling and this makes the legend all the more mighty and interesting.
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June 16th, 2010 — Uncategorized
